DR. SHIBANI BANERJEE
SIR PADAMPAT SINGHANIA UNIVERSITY,
In this paper I intend to bring to light the cinematography of Satayjit Ray with a special reference to his movie Charulata (1964). The main focus in my paper is on dealing of human relationships and bringing to light the foulness of the so called fouled or broken nest of Bhupati and Charu. The paper also portrays Charu as a new woman who is bold enough to assert herself and capable of bringing forth the right.