Harsh Reality of Chauvinistic Patriarchial World: Ambivalence of Objectified Second Sex After Rebellious Self-Assertion
DOI:
https://doi.org/10.24113/ijellh.v9i9.11171Keywords:
Chauvinistic Society, Objectification Of Women, Rebellious Self Realization, Patriarchic World, Biased Set Of Rules.Abstract
In this paper efforts have been made to show the mixed feeling that comes in the mind of an Indian woman when she realises her worth. The chauvinistic world is using woman as an object to fulfil the desires since ages. Indian women are brought up in such atmosphere that they find it difficult to face men and like a dumb cattle obey all the orders of man, be it their father in childhood, their husband after marriage or their son in old age. She is never asked or allowed to express her own will and when she tries to take the decisions in her own hands she is tortured and insulted with taunts. This paper highlights the feelings of women when she faces such situation. In this paper a deep study of three plays of Vijay Tendulkar has been done which are Kamala, Silence! The Court Is In Session and Kanyadaan .
Downloads
References
Agarwal Beena, Preface to Dramatic World of VIJAY TENDULKAR Explorations & Experimentations. Aadi Publications, Jaipur.2012. Print.
Agrawal Beena. Silence! The Court Is In Session: A Process of the Construction of Female Voice, in Dramatic World of VIJAY TENDULKAR Explorations & Experimentations. Aadi Publications, Jaipur. 2012. Print.
Agarwal Anju Bala, Dramatic Techniqueof Vijay Tendulkar’s Plays, in The Plays of Vijay Tendulkar Critical Explorations. Ed. Barbuddhe Satish and Amar Nath Prasad. Sarup & Sons, New Delhi, 2008. Print.
Anthony Mark, The Beautiful Truth, Createspace Indeependent Publishing Platform, United States, 2016, Print.
Banerjee Arundhati, APPENDIX I, Note on Kamala, Silence! The Court is in Session, Sakharam Binder,The Vultures, Encounter in Umbugland, in Vijay Tendulkar’s Collected Plays in Translation, Oxford University Press. 1992. Print.
Burstow Bonnie, Radical Feminist Therapy: Working in the Context of Violence, Sage Publications, Inc. New York. 1992. Print.
“Cher Quotes.” BrainyQuote.comBrainyMedia Inc, 2020.27 March 2020.
http://www.brainyquote.com/quotes/cher_126853
Doyle Glennon, Untaimed, The Dial Press. New York.2020. Print.
Dubois W.E.B. http://www.pintrest.co.uk/pin/268808671495310992/
Elizabeth Cook, http://www.metrolyrics.com/sometimes-it-takes-balls-to-be-a-woman-lyrics-cook-elizabeth.html
Friedan Betty, Goodreads.
http://www.goodreads.com/quotes/41699-it-is-easier-to-live-through-someone-else-than-to
Gates Melinda, http://www.pintrest.com/pin/215821007114945988/
Green Carrie, http://www.pintrest.co.uk/pin/442267625891085806/
Kaufman Charlie, Eternal Sunshine of the Spotless Mind: The Shooting Script. Newmarket Press. New York. 2004. Print.
Kemmerer Lisa, Speaking Up for Animals: An Anthology of Women’s Voices. Paradigm Publishers, United States. 2011, Print.
Kingsolver Barbara, The Poisonwood Bible, Harper Perennial Modern Classics, New York, 2005. Print.
Lowe Samuel, http://www.goodreads.com/quotes/7032985-sometimes-it-is-the-princess-who-kills-the-dragon-and-saves
N.S. Dharan,The Plays of Vijay Tendulkar, Creative Books, New Delhi, 1999. Print.
Pankhurst Emmelin, My Own Story, Virago Press. London.1979. Print.
Peters Elizabeth, Crocodile on the Sandbank (Amelia Peabody #1), Grand Central Publishing. New York. 1975. Print.
Siman Shibu, Man-Woman Relationship in the Plays of Tendulkar, Critical Explorations. Ed. Barbuddhe Satish and Amar Nath Prasad. Sarup & Sons, New Delhi, 2008. Print.
Solnit Rebecca, Men Explain Things to Me, Balzer+Bray, New York. 2014. Print.
Srivastava Shilpi Rishi, Kanyadan:The Admission of Defeat and Intellectual Confusion, in The Plays of Vijay Tendulkar Critical Explorations. Ed. Barbuddhe Satish and Amar Nath Prasad. Sarup & Sons, New Delhi, 2008. Print.
Tendulkar Vijay, Silence! The Court is in Session, translated by Priya Adarkar, in Collected Plays in Translation, with an Introduction by Samik Bandyopadhyay, Oxford University Press, New Delhi. 2003. Print.
Tendulkar Vijay, Kamala, translated by Priya Adarkar, in Collected Plays in Translation, with an Introduction by Samik Bandyopadhyay, Oxford University Press, New Delhi. 2003. Print.
Tendulkar Vijay, Kanyadaan, translated by Gowri Ramnarayan , in Collected Plays in Translation, with an Introduction by Samik Bandyopadhyay, Oxford University Press, New Delhi. 2003. Print.
Wadikar B.Shailaja, The Theme of Casteismin Vijay Tendulkar’s Kanyadan, in The Plays of Vijay Tendulkar Critical Explorations. Ed. Barbuddhe Satish and Amar Nath Prasad. Sarup & Sons, New Delhi, 2008. Print.
Wilde Oscar, Lord Arthur Savile’s Crime and Other Stories, Penguin Books Publishers, New Delhi.1994.Print.
http://www.goodreads.com/quotes/82506-i-think-being-a-woman-is-like-being-irish- everyone
Downloads
Published
How to Cite
Issue
Section
License
Copyright (c) 2021 Dr. Surete
This work is licensed under a Creative Commons Attribution 4.0 International License.
https://creativecommons.org/licenses/by/4.0/
